Knowledge Zenith ATE Review: A Rough Little Gem

After more than 5 years, my faithful, much abused, Melectronic M6 is throwing the towel. No, not the driver, but the wire which gave up. So, after drying my non existent tears I shop around for the new IEM (in ear monitor). Yay.....?

As usual, the only place to research audio stuffs is ofcourse head-fi.org. (I swear, this forum is so, so poisonous, it will poison you to spent hundreds or thousand of dollars to buy that beautiful sounding stuffs. So, don't you dare go there if you want to keep your walled thick. You've been warned!).
After reading the portable stuff on head-fi, I was eyeing the beautifully build Auglamour R8. But I'm not 100% convicted, because the reviewers said how the mid take steps back compared to bass and treble. So I shop around again and (almost) decided on Audio Technica IM50.

But, both IM50 and R8 priced around 50-60 dollars here. Because I am stingy broke, I looked around, again, for lower priced IEM. Enter Knowledze Zenith ATE. Reviewers seems like like it very much. Boosted bass? Check. Beautiful, warm mid? Check. Smooth, forgiving treble? Check. Cheap price? Double check.

At BukaLapak.com, a vendor sell it at IDR 140.000,- (which equivalent to 12-13 dollars). Several clicks later, the IEM are on the way. It arrived 2 days later. Read on for the review.

The box.
It came with pretty heart shaped hard plastic case. Inside is the IEM itself, placed on cut out foam, 2 pairs of silicon tips (small and large size, I think) and a pair of foam tips.

The Case

Inside

The build.
The build quality is quite good. There's no creaks or flex, there is none of those driver flex like my old M6 used to have. The body and the cable is translucent, you can see the inside of the shell (the drivers and whats-not) and the braided cables. The cable coating is some kind of soft rubber, making it (almost) tangle free. There is no memory wire on the cable like my M6. Oh, and it has mic too, so you can use it with your smart phone.

The IEM

It's light enough, heavier than my M6 was, but more comfortable to wear. I can use them more than 3 hours straight without discomfort, not like M6 which make my ears sore after 1 hour.

The Sound.
How does it sounds? Beautiful, warm, and smooth, with more than adequate bass.

The mids is the star here. Liquid, organic, warm and forward. Male voice are to die for. I played some tracks by male performers such as Il Divo (En Aranjuez Con Tu Amor), The High Kings (Galway to Graceland, Red is the Rose), Gotye (Heart A Mess), Apocalyptica (Not Strong Enough) and all make me close my eyes and melt. Seriously, it's that good. What price this IEM again? 12 dollars? Hell yeah!

The mid are warmer and more forward than my beloved Sennheiser HD600 (review here). Lower mid, especially warm. Upper mid and lower treble (where the female voice) take a step back, so they are not as good as male voice, but, it still good. Smooth, unoffensive, liquid are how KZ ATE render female voice.

The treble are soft, smooth, with dip in 5 khz, rendering those pesky bright female vocals smooth. I love it. Take that, Postmodern Jukebox's Historical Misappropriation!(*)
The treble extension are so so, you can hear how it rolled down early. For some, KZ ATE can sounded dark and muddy. To me, it's perfect, like darker, closed version of HD600. In fact, it reminds me to Goldring DR150 (review here) I had (broke the headband to pieces, still looking to cannibal a cheap headphone).

I played some instrumental and classical stuff and the rolled out treble punish ATE rather heavily here. I loved wind instrument such as flute, oboe etc, and with ATE, those good stuff take two step back. Roger Subirana - The Ritual at Dusk had this beautiful native American wood flute as center piece, HD600 render it as beautiful as it deserves, while ATE, it take two step back. I got similar result with Yasuharu Takanashi arrangement for Naruto OST titled Despair and Kaoru Wada arrangement for Inuyasha OST titled Bojou (Longing). All the flute (the good stuff) take two step back.

Closer Shot #1

The bass is forward and BIG. Way bigger than HD600. Again, reminds me to DR150, except, ATE bass is more forward and hit harder than DR150 was. Most are in mid-bass tough, so for you guys who looking for ear shaking bass better look for other Knowledge Zenith IEMs. The deep bass are rolled quite early, although not as thin as HD600 bass, still won't win bass competition. It's still punchy and in your face bass.

The sound-stage (or head-stage, if you prefer that terms) is small. Thats ok, sound-stage is never IEM strength. And it quite closed too, ATE lack that breath of air HD600 had in abundance. Fatoumata Diawara excellent album Fatou just not as atmospheric, the excellent sound-stage and positioning diffused. But then HD600 is an open headphone, so it's no competition.

Comparing the sound-stage size to HD600, if HD600 sounded like the singer or band play in small, open venue, and you sit several row from them, ATE will sounded like they play in a closed middle-sized venue and you sit in front row, right in front of the band / singer.

ATE separation and positioning is just so-so. You could still tell where the sounds coming from, but it's rather mushy. I think my M6 separation and positioning is little bit better than ATE. This is the weakness of KZ ATE, I guess. Just don't compare it to HD600, that headphone positioning and separation is INSANE.

Closer Shot #2

As good as the mids are, I found that KZ ATE sounded rather metallic. And vocals could be shout-y. Voice and instruments are not as organic as my HD600. But then, my Sennheiser HD600 is a 250 Euro headphone, equivalent to, what, 300-350 dollars? That's like 25 times ATE price! So, I can forgive this weakness no 2.

KZ ATE is a polite sounded IEM. I tried playing some metal / rock / hard core stuff on it, and it render them beautifully. Beautiful, not grungy as it should be. The speed, the attack, the rockiness or metalness (sorry for the made up words, but you get the gist) is just lack. It's like Dragonforce, Avenged Sevenfold, Seraphim and Linkin Park sudenly playing jazz or pop song. Definitely not for hard stuff.

KZ ATE strength is in jazz, acapella, pop, acoustic, and other vocal heavy music and stuff. It's sounds OK with instrumental and classical piece, and rather bad with metal and hardcore stuff. That rolled out treble is the culprit for this, although that punchy bass is OK for RnB and Dance music. Robyn's Dancing on My Own is toe-tapping stuff.


The Others.
KZ ATE is easy to drive. You don't have to buy separate amplifier to drive this, your phone can drive it well. I used it with my Xperia P and OnePlus One, and both sounded good on it. Even my tiny, old Sandisk Sansa Clip (the 1st gen) is able to drive it.

On Sansa Clip, this IEM sounded rather dark and muffled tough. Better pair this IEM with neutral or bright player. With Fiio E10 (the first gen, not the E10k. Impression here), ATE warm sound neutralize the slightly bright sound of E10.

The Conclusions.
Just buy it. Especially if you still listening music with your generic, 2 - 5 dollars generic, cheap no name earphone (shudder). Or if you still rocking the earphone included with your smart phone. Seriously, just chuck them at the garbage bin. Except Sony MH1, I read they are good. If you fortunate enough to have Sony MH1 included in your smart phone package, keep it.

For about 12 dollar (like what I paid for it) this is a steal. At online stores, they usually sell it from 15 to 25 dollar equivalent. I think at that price, it still a steal. Especially compared to that anemic sounded, over priced Apple earbud, earwax, iEar or whatever they called their loopy shaped IEM are.

Recommended.

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note on (*): I love Postmodern Jukebox, but I think Historical Misappropriation album is mastered with boosted 5 khz, rendering it downright painful on my Audio Technica SJ33 (review here) and little bit too much on my HD600.

PS: Auglamour R8 is really beautiful! Google it! I swear, when I had money, I'm going to buy it! Just so I can take photos of it and parade it around! It's just beautiful!

Troye Sivan - Blue Neighbourhood

Have you heard Troye Sivan? Yes? I guess I'm late to party. I found him when browsing Youtube, there I saw his Talk Me Down video clip, which, while I'm not really like the story, I quite appreciate the videography and video quality. It was good. So I download his complete album. It IS good.

First, I would recommend you to get the deluxe edition, because the included tracks are actually GOOD, not like those deluxe albums which only include filler song. I actually liked the included tracks, such as DKLA, and Blue; while BITE, THE QUITE and TOO GOOD are actually enjoyable.

This album is quite brooding and moody, kind of modern version of Lana DelRey. The tracks are dark and moody, with pulsating bass and sprinkle instruments giving them bite. It kind of reminds me to The Weeknd, crossed with grandiose of old Coldplay albums (as bad as their recent releases were, I won't deny their previous releases as good).

Fans of grittier music or bubble gum pop would best skip this album, because I don't think they would appreciate the slow, dark, brooding moody of this album atmosphere. And the lyrics too, are bog standards. Some are cheesy, albeit none of that crazy-cheesy lyrics like some of Lana's lyric, but standard nonetheless.

I like Troye Sivan voice, not too thick, with slight husky and dark tint on it. You won't find range like Sam Smith exhibit, or his control, for that matter, but the simple way he sing is enjoyable. Personally I'm quite interested on how he will sounded with more demanding song.

All in all, for music listener, I would recommend this album, it is simply GOOD.

Review: Zella Day - Zella Day EP

I stumbled upon this artist from Sputnik Music which got lot of good albums recommendation. So I decided to give it a go and, bam, I was hooked.

Sweet Ophelia,
When young blood escapes
Vows that break
Go up, up away
Zella Day - Sweet Ophelia

This album (or mini album) from Zella Day consisted just of 4 songs, totaling in 12 minutes and 25seconds. But, boy, those four songs just soooo good. I keep hitting replay button again. And again. And again. And again...

So, how should I describe Zella Day? I would say like Lana del Rey met Florence Welch met Elly Ghoulding: the sheer epic result is simply mind blowing.

Many EP is just an epic song with lots of filler. But in Zella Day, there are no filler, all her four songs are strong: good lyrics combined with big hook and blasting melody. Oh, and the melancholy, we must not forget the big dose melancholy.

You did to me so well
Hypnotic taking over me
Make me feel like someone else
You got me talking in my sleep
Zella Day - Hypnotic

The lyrics is good, I love how poetic all her songs are. The theme is mostly about blinded in love.

Take me to the garden of your ecstasy
Make myself a heaven from your falling leaves
Woven in the fabric of your tapestry
Cover me in honeysuckle memories
Zella Day - Compass

From Hypnotic, Sweet Ophelia to Compass and East of Eden, we will meet pounding bass,  strings and layer upon layers of sounds. Her musics is really rich. The only sparsely instrumented is Compass, which only capitalized her vocal.

And she sing really good. Her high register is really good. She soar effortlessly to falsetto, without sounding breathless. However, I would like to hear more of her lower register, because she had this dark voice which I liked.

Call me wild, drinking up the sunshine
Be my man and show me what it feels like
Denim sky unbuttoned down the middle
Spilling out little by little
Zella Day - East of Eden

I would like to see how her full album sounded, I hope it would be even better than this epic EP. If you liked Lana Del Rey, Florence Welch or Elly Ghoulding, I would recommend you to try Zella Day. She is good.

Zella Day + Deadbeef + Aune T1 with Phillips PCC188 + Sennheiser HD600  = eargasm.

Lana Del Rey - Ultraviolence

You must already noticed now, that I rather like Lana Del Rey. I really dig her melancholy and old style. Yes her persona is rather made up and not natural. Yes those lips almost certain face job. I don't care. As long as she keep produce music I like, she can put one meter long nose, or third arm or fly or whatever.

This album is very different than her previous two albums. Dark is what it felt at first. But different dark than Born to Die dark. In Born to Die, the darkness is glittering with flashes of neon and orb-lamp. Of recklessness and willfulness. In Ultraviolence, the darkness is lightened only by a splash of fireflies, of fond memories and little bit of sands in moonlight.

Gone is the hip - hop and heavy strings, replaced by echoing electric guitars and -what-is-it-called?-reverb? And simple drum. Simpler band arrangements, with a splash of strings here and there. The result is a fresher sounded album, although still heavy with melancholy and drama.

The lyrics, to be honest, still not 100% good. I mean, //You dance in circles around me // You're fucking crazy // You're crazy for me // is definitely bad. Or // He used to call me DN // That stood for deadly nightshade //. Really? Nightshade as in Potato and Eggplants? And why on earth "hydroponic weed"? At least, nightshade did sounded cool, I'll give you that
But there are gems here and there. The same song which gave us vegetables also give us this gems: // I can hear sirens, sirens // He hit me and it felt like a kiss // I can hear violins, violins //. Domestic abuse or BDSM? You choose.
Oh, and did she just take a jab at USA? //I’m talking about my generation // Talking about that newer nation // And if you don't like it // You can beat it //. What do you think?

I won't go detailed review of each songs here. But if you ask me, personally I like the Bond - movie-esque "Shades of Cool", the twanged "Brooklyn Baby" (really love the guitar), "West Coast" (nice tempo switching there!) and the operatic induced "Money Power Glory".
All in all, this album gave nostalgic vibe, with big doze of melancholy thrown. If Born to Die felt like good girl had her first taste of bad (and loving each second of it), then Born to Die: Paradise Edition felt like grown woman comfortable in her sexy, womanhood, and Ultraviolence felt like a woman who reminiscing how her life gone. Jaded, tired, sad but still starving for love, even a violent one. That how Lana on this album felt.

Lana's voice sounded much stable and matured here. Her voice soaring high and smooth. I really loved how she sounded on "Brooklyn Baby". And those soprano on "Shades of Cool" is really good. I kind of missing her low voice though. There aren't many singer with good rich, dark low voice. And song like "Born to Die" is shining because of those low voice.

This is quite good album. I like how fresh, yet how Lana Del Rey is this album. Dark, nostalgic, and melancholy. In short: a Lana Del Rey album.

Review: Word of Radiance (Stormlight Archive Book 2) by Brandon Sanderson

Now, I know that this review is kind of late but I want to make sure that I wore off my excitement and able to give more honest review. Read on!

Word of Radiance is the second book from Brandon Sanderson's Stormlight Archive series. And this series is AWESOME!!! This book is even better than the first book, if that even possible. The character development is deeper, the cast screen time is more balance, the story is more cohesive, and the final is even more awesome.

I love how Mr. Sanderson dig Shallan's background. If the first book was all about Kaladin, in the second book Shallan emerge as strong secondary main characters. Now we can understand why Shallan do what she did, and why she felt the why she felt. Maybe in the third book we can read more about Jasnah? (crossing fingers). Just read that the third book is about Szeth.

There are some scene which almost make me tears (I swear, it was just prickling in the eyes....), and there are scene which make me want to strangle Kaladin (just how dense he can get!?!). The last hundred or so of the book really make me want to scream and make me to stop reading but unable to lol. And the scene with Syl and the last fight is awesome. Although the last scene with Dalinar and Adolin is really unexpected (who would guessed that Dalinar would do that, and Adolin to do it? Really!). And that early dead! God, it was almost broke my heart. Almost.

There are so many new plot development that I think I had to reread the book at least once before reading the next book (by the way, when it was scheduled? 2015? 2016? Damn it, that's way too long!). So many plot and twist, so many new mysteries (is the artifact on the last scene with Szeth is that artifact?!? Is Hoid really the person who wrote that letters?!?).

I really didn't want to spoil much, at least not as much as what I already did (sorry lol). What I'm saying is, you really had to read this book. I assure you, you won't regret it!
Well, at least I did not. It was worth the sleepless night when I did it.

Highly Recommended.
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ps: sorry for my previous melt down. Just ignore it.

Another End of Year. And Another Review of Beyonce Newest Album.

So here we are: on the last month of the year. Another New Year. Another post about how your year go, how much you do, how much your resolutions fulfilled. Reflections. Badda-badda-do. Whatever.

So, I'm thinking about closing this year with a BANG. So do Beyonce. While I still turning my brain inside out (not really, but you get the gist), Queen B drop the bomb of the year in shape of an album consisted of 14 tracks, with 14 VIDEO CLIPS!!!

 Wow. Just... WOW.

Her album is quite dark, and minimalist. Yes there are fat and delicious bass line. But there are very few of those glittering laser and neon light. I'm counting maybe 2 or three. Others are filled with minimalist, slow and dark jam. And with retro, 80's feels sprinkle on the top.

Beyonce vocal, like always, soaring through the simple music, gliding and turning like bird through the sky. A dark, smooth, beautiful bird. Her technique is superb, her breath is strong, and wholly, she is just AWESOME.

As a whole, Beyonce is a very strong album. Yes, there aren't that many tracks which radio friendly. I like Pretty Hurts (really love the lyric), Partition (oh yeah), Jealous (simple yet strong), Rocket (nice vocal works there!), XO (simply sweet and cheerful) and, the last but not the leaset: Blue (featuring her daughter voice, which very cute).
Personally, I think those are the best tracks. Rocket got very nice vocal and melody works, but the lyric is ... let just say I'm not going to sing it loudly outside

And the video clips got very nice video works. Again, Pretty Hurts, Partition, Jealous, Rocket and Blue shines here. Blow is a fun, 80's retro video. XO is down to earth Beyonce. BUT! (yes, there will always be but) there's this Rihanna-esque from the videos. I keep expect Ri-Ri to pop-out from nowhere and sing the lines, like the one on Drunk in Love, Yonce (yep, you heard me right), and Haunted.
And it got lot of booty. And skins. And booty. Seriously. Yes we guys (I) love booty, but we (I) like them discreet, flash us (me) here and there and we (I) will keep thirsty for more. Flood us (me) in booty and we (I) will get sick of it. Eventually. Or maybe not. LOL.

So, there you are: my review of Queen B newest album, BOMB. Ignore me and enjoy the album (and the videos). This one is really nice and solid album. Just don't hit shuffle, because this album is best enjoyed straight from track 1 to track 14.

pssst... Queen B booty is really HOT!!!

It's Britney B*tch! Jean. A Review.

Yep, Britney is back. And her newest album is something to rave about.

Disclaimer: I'm rather fond of Britney, so I apologize if this review wasn't as clean as other reviews out there. After all, I'm not professional reviewer (as you can read on my previous reviews). So, you've been warned.

I've been waiting this album since I watch her Work B*tch video clip. That's one hell song, if you ask me. The lyric is really simple, and cheeky enough to balance the pounding beat. Yes, it's not as big as Till the World End, but explosive enough.

Back to the album, Alien is rather unusual track to open an album. But the lyrics...I'm wondering, just how much people out there who like me, keep seeing them self on the lyrics?!

//Lost in the world out of me myself and I // Was lonely then like an alien // I tried but I never figured it out // Why I always felt like a stranger in a crowd // But the stars in the sky look like home, take me home //

Second tracks, Work B*tch is like I said previously, is a cheeky song which I'm sure will burn those gold digger and lazy ass persons. Me included (what can I say?! I AM lazy). LOL

// You wanna hot body // You wanna Bugatti // You wanna Maserati // You better work b*tch //

Perfume, Til It's Gone, Passenger, and Don't Cry showing us the insecure, melancholy and vulnerable Britney. And the way she sings it, really differ with her usual sexy, crazy, robotic Britney. It's more.... raw. Even the auto-tune processing can't take away the rawness of her voice and emotions.
Yes there fat-pounding bass. And glittering neon-and laser. But the loneliness and melancholy still cut through.

I wish Britney duet with her sister is stronger, because Chillin' With You is just that: weak, forgettable song. The track is rather weird, it's like the producer can't decide where to go: nice and sweet acoustic or club worthy song. Tik Tik Boom and Body Ache is the usual club ready song. You know, the usual filler songs.

The Deluxe version comes with 4 new tracks: Brightest Morning Star, Hold On Tight, Now That I Found You and slow remixed version of Perfume. Personally, those extra tracks is album worthy. Better replace It Should Be Easy, Tik Tik Boom, and Body Ache with Brightest Morning Star, Hold On Tight, and Now That I Found You, then make Chillin' With You and remixed Perfume as Bonus Tracks. It would work better. I think.

So, there you go, my review. See the other side of Britney: the one who is insecure, soft and vulnerable. Yes, her voice isn't the best, it never has. But the rawness is new, and you can't deny the appeal of it.

My New Sennheiser HD600 (vs Goldring DR150)

Hello, hello... How are you guys? Sorry for the long interval between my posts, but my work life is getting into my blogging life. Pardon. So, here I am, wanting to post about my new Sennheiser HD600. Okay, maybe not so new, as I buy it as B-Stock, but well, its still new for me. Not bored yet? Well, read on!

I was happy with my Goldring DR150. For the price I paid, I got this wonderfully smooth and dark sound, with good sound-stage and positioning. It was easy to drive too; my FiiO E10 is more than enough to drive it. But I was growing unhappy, mainly because the grain on the sound, and plastic-y timbre which more and more apparent as I used to the sound.

So, I’m saving for an upgrade, and then after searching and asking on head-fi.org, my choice fall to either Sennheiser HD600 or HD650. But the price is really high here in Indonesia, much more than in the Europe or US. I was going to search for another, cheaper headphone but my good friend, who was completing his doctorate degree (damn, I'm so jealous!), said he was going home to Indonesia for 2 month, and offered to hand carry things for me. Yay! God bless you, my friend!

My HD600 is a B-Stock. FYI, B-Stock also known as Open-Box, so when I open the box and saw how it was in completely pristine condition, I knew I'm very lucky guy. It's practically new!
I'm not going to write a full review of this headphone. Mainly because this headphone is a classic and there were so many review out there about HD600, I don't have anything left to add. So I guess I'll just write an impression versus my DR150.

HD600 comes with this nice box, very handy to store the headphone when not in use, but rather troublesome to store because its big size. The headphone itself is slimmer than DR150, and the build quality is much better. DR150 looks like a plastic toy compared to HD600. The grill is much more open, you could see the internal driver from outside the grill. It's heavier too, and the clamp, oh dear God, the CLAMP! It's practically head-crusher. After very, very carefully bending the metal headband, the clamp is tolerable, although still quite tight. DR150 sit feather light in comparison, although the velour is not as comfortable.

People said HD600 as warm, dull headphone, but I found them quite neutral, even little bit leaning on brighter side. Yes, it's brighter than DR150, which has this dark sound to it. The treble on HD600 is fuller, smoother with no nasty peak. The bass isn't as big or as hard hitting as Dr150, but still punchy, more detailed and well controlled. Then the mid, oh dear God... So beautiful, detailed, and natural, my Dr150 sounded so mushy and plastic-y in comparison. But, I wish HD600 little bit darker. Just little bit, not as dark as my DR150. Maybe changing the tube (or valve) on my Aune T1 could remedy it?! (I'm NOT going to spill some 450 bucks for HD650!)

Ok, now, the not so good parts. First, as I said before, the clamp is quite tight. And it not exactly light headphone either. The impedance is quite high, 300 Ohm which need some amplifier to sound best. My FiiO E10 could drive it loud, but the sound is not as good as my Aune T1 which much more powerful. And the sound still has some grain in it, not so much as DR150, but its there. I guess the aging driver showing its weakness. Oh, and as I said before, I wish the sound little bit darker.

So that's my impression of my new HD600. I keep going back to it, especially when I listen to acoustic and vocal songs. The sound is so smooth and organic, and natural (I really can't stress this enough). For 250* Euro I paid, it was no regret.

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*note: HD600 usually priced closer to 300 Euro, or 400 USD.

Review: Lightbringer Series

Hello, it's me again. I got this new nice novels called Lightbringer Series from Brent Weeks. Currently it's on second book from four book totals, making it a quartet. The first book is titled "Black Prism", while the second book is "The Blinding Knife".

I had to give it to Mr. Weeks, but this two books is ROCKS!!! I love the magic system use, splitting light and gave each of them different properties, it just so cool!!! It differ from the usual magic system (male - female, 5 elements, etc), and had potentials for development and variations. It's interesting.

The main characters is nice too. The development is the standard Epic Fantasy kind, but the characters himself is quite departure from the usual. The cowardliness, the dark past, the secret, the guild, the resentment, all laid bare. Very nice actually.

The story telling is pretty good. Some passage could be better, but nothing too distracting. The battles and actions are very good, very enjoyable. The way Mr. Weeks stringing up the stories is good, most of time I couldn't guess the story line. Sure the ending of book two is a little bit predictable, but the leading actions is very, very good.

The language, style and atmosphere is very manly. I found it quite hard how little female characters make impact on this novels. Sure Aliviana got some mayor portions, but the impact is just not there. The characters is just not strong enough, while other potentially strong characters such as the White, Karris and Marisia (the poor women) not getting enough actions.

I had to give warning though, point of view Black Prism (book one) is differs to The Blinding Knife (book two). The characters is still the same, it just the portion which differs. I kind of like it, giving different view, different story from other side. Also give me deeper view on the said characters.

Overall, I found this two books very engaging. Yes, there are one or two weak parts, but nothing big. For you fantasy book lovers, you should try this series.

Review: The 20/20 Experience by Justin Timberlake

So, how long it was? 6 months? More? Sorry guys, I was really busy, so this blog of mine been neglected. Now, I'm back, with another review. Here we go.

Mr. Justin Randall Timberlake back after 6 years of hiatus into musical scene. Not that he absent completely, what with his name printed on singles or albums credits. This album, titled The 20/20 Experience, released several months ago, and pretty much earn mixed review. Some said it was nothing special, but some, like me, love this album very much.

JT's vocal is exceptional, I love how his falsetto delivered: smoothly. The lyric is interesting too, some is classic (or overused, from another point of view), but some really is interesting, if sometimes cheesy. Well, this is a mainstream album after all.

Just like the usual, his songs is full of catchy hooks and refrains. I especially love Tunnel Vision, Spaceship Coupe and Mirror (and the video clip. Old peoples getting romantic is really adorable! The skin colored-clad dancers girls with silvery wig is rather creepy though). The cherry-bubbling Strawberry Bubblegum (sorry for the pun) is good too, while Pusher Love Girl had nice refrain. I think Suit & Tie will make good music for lyrical dance. The reggae-touched Let the Groove Get In is nice break on the album, although 7:12 long song is definitely not short. The closing song, Blue Ocean Floor started boring, but got interesting when the refrain kick in.

The 20/20 Experience is bit departure from his last album, Futuresex / Lovesounds, which glittered with lasers and neon lights. I got this warm and classic feeling from Timberlake's latest album. The strings, the trumpets (or saxophone or whatever it is, I'm not really into musical instruments :P) combined with bass, drums and electronics creating a piece of music which spanned generations. A truly marvelous album.

The richness in it, the layers of sounds and instrumentals is good too. The musics is very enjoyable listened on my Goldring DR150 and FiiO E10. Really, you had to try listening it using good equipment. Your free-on-packaging earphones just won't cut it. With good equipment, you will notice just how rich and layered this album is, everything will come alive.

Lot of songs in this album clocked unusually long. For modern pop songs, that is. Some feels nice, bridging form one song to another song, but some, I feel unnecessary. But I had to give it to Mr. JT for his daring.

So, that's what I feel from the newest album by Justin Timberlake, titled The 20/20 Experience. Personally, I think the title reflect the album perfectly.

Review: OneRepublic - Feel Again (single)

Ugh, what a busy month!!! So many things to get done on my workplace I didn't even had time for writing on this blog. Sorry guys, but I really busy this last 3 weeks. So busy I even go to office on Saturday (Saturday!!!) to finish things :(

Now those hectic weeks passed, I want to share this new single by OneRepublic. Well, not exactly new, since it been out for like, 3 months ago, but still, from a band which didn't get much coverage last year (especially since their last album is definitely a flop), this single is like their gambling to the world of fame (their debut album is definitely good).

So, what of their newest single, which titled "Feel Again"? When I listened to it the first time, I though it was one of Coldplay songs. The drum track, the clapping, the melody, the vocals; the hypnotic atmosphere created really reminds me to Coldplay. Watch the videclip, and the similarity is even stronger: the light, the party, the shooting angle.

From lyrical point of view, the lyrics is very simple, "I'm feeling better since you know me / I was a lonely soul but that's the old me" just cant compete with "I loved you with a fire red, / Now it's turnin' blue..." from Apologize, or even "We'll have the days we break /  And we'll have the scars to prove it / We'll have the bombs that we saved / And we'll have the heart / Not to lose it" from Marching On. And just don't even try to compare it to Coldplay lyrics. Just don't.

I like the videoclip, the light play is amazing. The sweet scene where a man give a women flower-with-lighbulb-on-it is nice, giving sweet touch to the hypnotic-party atmosphere. Again, reminiscence of Coldplay. But that's ok, since this single is divers to OneRepublic previous songs (which quite heavy and tiring).


Overall, nice single. The different atmosphere invoked is differs nicely with their last albums. Nice videoclip too, really love the lightbulb play. I just wish it less felt like Coldplay and more OneRepublic.

Review: Christina Aguilera - Lotus (updated)

Hello there! How are you? Have you listened to Mrs. Aguilera newest album yet? No? Then maybe you will find this review pretty old-school.

The cover is quite interesting: the naked Mrs. Aguilera rising from a lotus blossom. Don't worry, the interesting parts are hidden, so it's still quite safe. The pinkish color used is bit departure from Christina Aguilera image of sexy, mature diva. It's just so girly, like the cover you will find on some girl-band from Japan or Korea.

The Album Cover.

I have the Lotus Deluxe Version which contained 17 tracks below:

1. Lotus Intro
2. Army of Me
3. Red Hot Kinda Love
4. Make the World Move (feat. CeeLo Green)
5. Your Body
6. Let There Be Love
7. Sing for Me
8. Blank Page
9. Cease Fire
10. Around the World
11. Circles
12. Best of Me
13. Just a Fool (with Blake Shelton)
14. Light Up the Sky
15. Empty Words
16. Shut Up
17. Your Body (Martin Garrix Remix)

This albums is quite diverse in music style, although generally still dance oriented. I loved the marching drum touch on Cease Fire, Around the World and Best of Me (sometimes I found myself humming the chorus baby cease fire, fire, fire, while walking like an idiot. Yes, it's that infectious).
Throw in Christina's vocal of gymnastic, and you got powerful, energetic, toe tapping album. Although personally I feel Mrs. Aguilera sounded bit strained on some songs, but then, that screaming-like, powerful soprano IS Christina brand-style.

The lyrics is quite standards, you know, for a dance pop albums. You got some interesting lyrics now and then (Use my name as your claim to fame / Got my smell of success on your breath on Circle), but others are the usual stuff. I felt this album lyrics is mainly about how she got herself up and strong after some big break-up. Pardon my ignorance, but I really didn't interested on the artist life, all I interested is their musics.

Not all the songs are dance oriented song with bass pounding, however. There are some track's which quite a keeper. I personally like Sing for Me and Blank Page. Just a Fool is quite likeable actually, if not for how it sounded like a battle contest between Christina Aguilera vs. Blake Shelton. Please Mrs. Aguilera, Mr. Shelton, this is not a battle round of the Voice, play nice!!! Speaking about Blake Shelton, I just always thinking his name spelled backward, Shelton Blake sounded just so much more nicer!!! LOL.
Some grippe: the bonus tracks Light Up the Sky sounded like something out of Ryan Tedder's song book while Empty Words sounded just like the one you got from Leona Lewis old album Echo. Why not include more different tracks?

The production isn't that great, with my DR150 (which is quite detailed), I can hear how the instruments got smashed together: no separation, air, soundstage. The bass is mainly on mid-bass area, with big boomy sound to boot. The treble too, get too piercing sometimes, I need toning down about 3-5db on frequencies of 5 kHz and up on my foobar2000 equalizer. I hate doing equalizer, but this album won't listenable for long time if I don't do that.
On busy tracks, Christina vocals is going laid back, thankfully, reducing the fatigue immensely. On the simpler tracks however, you could hear how glorious Christina Aguilera vocal technique is. Pity she didn't includes more of those kind of songs.
Update: the production is really awful, opening a track on audacity, I can see how the track clipped. The compression is really high!

Verdict? Quite easy, if you like Christina Aguilera, you just had to listen to this album. For dance oriented song, maybe you better go to Rihanna albums. This album is a mix-and-match kind of album. Not quite dance-pop (although most of the songs of dance-pop flavored), but not quite balad-pop either. The result is an album which not too mainstream, but also have it's own flavors.

Lana Del Rey - Paradise (EP) Review (updated)

Hello again, how are you? Me back with another review (again. sigh).
The album I want to share is titled Paradise (EP) from Lana Del Rey. Remember her? You know, the one who became Internet sensation sometimes ago when her video goes viral? Etc, etc. Yeah, that Lana.
Actually, you can find this EP as two version: as Paradise (EP) and as Born To Die the Paradise Edition, which, as it's name suggest, include tracks from her Born To Die album. I personally think you better go for the EP, that's if you have already buy the previous album.

The cover is very nice, Lana, with her hair flowing, standing on some beach (or maybe pool?) with tropical trees (coconut, maybe?) seen behind. The color used, which going for red-yellow, gave this Lana this golden shine. That, and the gold font used, gave the cover a classic and luxury feeling. Well, that's me anyway.

Paradise (EP) Cover

Born To Die The Paradise Edition Cover

The EP consist of 8 tracks, with some difference depends on where you buy your album (or EP). The tracks list:

1. Ride
   
2. American
   
3. Cola
   
4. Body Electric
   
5. Blue Velvet
   
6. Gods & Monsters
   
7. Yayo
   
8. Bel Air

This EP still had Lana's oldie signature: low sultry voice singing with darkness-tinged music, crying hedonism and broken life. Personally, I think Paradise is much better than Born To Die, all tracks on Paradise is more mature. Each track has it's own main theme, from slum-and-road theme on Ride, Las Vegas-night life tinged American and Cola, to sprinkle of Arabian night on Body Electric. The classic Blue Velvet, the more modern Gods & Monsters, to simple and very, very boring Yayo (at least compared to the other tracks), and finished with soft and airy Bel Air. Each different, but still managed to get whole.

I really like the string which accompanied most of the tracks giving the EP the warm-and-melancholy feeling, with a sprinkle of majestic thrown in. And the drums too, very nice. Add sparkling electric guitar, and you got a classic but tap-inducing (although quite draining) album. And boy, that arrangements works very well with Lana's voice.

Yes, the lyrics still wasn't the best ('my pussy tasted like pepsi-cola', really? Yes, it's still emotionally draining (have you see the music video? Lana had some of the most beautifully crafted music videos. Beautiful, though emotionally draining). And yes, there are some tones which similar to her last album, but as an EP, I still think this is a solid album good. The music guitars, the drums, the strings (which I really fond of), the voice, it's all make one solid album (or EP's, which ever you call it).

Pretty Recommended.

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edit: adding some more words, paragraphs to make it bit longer.

Review: The Haunted Man. Me, not dead, yet.

Me, still alive and kicking, even after missing for like, forever. Okay, not forever, but still, the last blog post is on July, for heaven sake. I'm sorry for abandoning this blog for several month, you know, I got busy with my new job. And just can't muster enough mood and energy for writing.

Anyway, I'm back now, and I hope I can update this blog more regularly. Now, I want to inform you about this cool album by a singer named Bat for Lashes. What a strange name don't you think?! Her album is titled "The Haunted Man". You had to see the album cover: a naked girl (or woman?) shouldering a naked boy (or man?). Really a distinct cover.

The distinct cover.

The track list is below:

1. Lilies
2. All Your Gold
3. Horses of the Sun
4. Oh Yeah
5. Laura
6. Winter Fields
7. The Haunted Man
8. Marilyn
9. A Wall
10. Rest Your Head
11. Deep Sea Diver

The album has a distinct atmosphere. The musics is simple yet powerful, the simplicity of it creating dark, mysterious scenes. You could hear every nuance of Natasha Khan (the singer's real name) voice. Beautiful.

One way or another, this album reminds me to Fiona Apple's last album: both had this beautiful simplicity although I think Bat for Lashes sounded more pop than the more jazzy Fiona Apple. And "The Haunted Man" had a more majestic feeling than "The Idler Wheel Is Wiser Than The Driver Of The Screw & Whipping Cords Will Serve You More Than Ropes Will Ever Do" (yes, that's Fiona Apple album's title, quite a mouthful yes?).

Overall, I really like Bat for Lashes's The Haunted Man. It carry distinct sound while keeping the music simple, yet not boring to listen to. For you who appreciate good music with good vocals, I recommend you to try this out.

Recommended.

Review: dbE Acoustics HP30 Fullsized headphone

It was started when a post started on our local audiophile forum about a loaner program for locally branded headphone. Without wasting times I signed myself in, and fortunately chosen. Now, after several weeks listening and comparing to my other headphone, I would like to give my though about it.

The Package.
dbE HP30 headphone comes with a big cardboard box. You could see from the photo I took how it compared to my Goldring DR150 box I apologize, it seems the photo is missing... will update with new photos. Photo added. The box itself looked nice. Opening it, I found another box which contain the headphone. The inside box is nice and sturdy, but I don't like how the outer cardboard felt, it's felt flimsy.

Open the inside box, and you will find the headphone nestled on cloth covered hollow. It also include a 6.3mm adapter jack and an extension cable, and some papers of course. Overall packages is quite nice, the cloth covered headphone placement help creating expensive impression. I just wish the outer cardboard is as good as inside box. Or ditch the outer box entirely, and print the label and what-not directly to the inside box surface.

The Build.
The headphone holder is made from machined aluminum with brushed finish. It's an open headphone, and you can see the metal mesh with a metal plate printed with the company name. The headphone back is made from some hard plastic, half painted silver inline with the silver holder and metal mesh, while the other half is black.


On top, the headband is covered with a smooth pleather (or what I guess is). It has some padding on it, which felt nice on my head. Maybe the material used didn't had that expensive feeling, especially the material holding the two side of pleather together (and the one hold the velvet pad), but for the price I think it's good enough.

I really like the velvet pad used on dbE HP30, it soft and very, very nice on my skin. It actually smoother and denser than the velvet pad used on my Goldring DR150. The cup is wide and deep, my quite large ears had no problem going inside at all.

At first I though this headphone would press my head like a gripping machine, but when I bend the headband a little bit to place it on my head, I quite surprised how easily it bend. And it the clamp is very nice, not too strong, and not too weak. It just... right. My DR150 had stronger grip than HP30. This headphone bit heavy, on the same scale as my DR150, I think. Wearing my AudioTechnica SJ33 after HP30 or DR150 is like wearing nothing at all, because it's so light, and the clamping force is even lighter than HP30.

Overall, dbE HP30 looked and felt nice. Maybe some would say it looked similar to another headphone from Germany brand, but I had no idea how similar since I don't have the mentioned headphone on hand for comparison. HP30 did look expensive, though.

The Sound.
This headphone is a loaner from dbE Acoustics, so it already burned in. How does it sounded? I think its a neutral one. Comparing it to my AudioTechnica SJ33 and Goldring DR150, dbE HP30 placed right on the middle, maybe little bit on SJ33 side. So middle ground leaning to bright side I think.

While I said leaning on bright side, the treble isn't that bright. My SJ33 is brighter than HP30. The treble is smooth, well extended, with some roll off on highest frequencies. Nothing too glaring, but not too roll of like my DR150 either. Very polite. The treble is pretty nimble, better than my DR150 I think. But then maybe that because DR150 treble is rolled off earlier than HP30. Listening to HP30 after DR150 is like going to a room with lot of open windows and light after a dark, damp and warm sauna room. The treble is just free, airy, and nimble.

Vocal is brighter than my DR150, bit on lean side. But not bright like my SJ33 does. Really, it just like on middle ground between SJ33 and DR150, with HP30 located bit on SJ33 side. Vocals has this airy sound, much more than my DR150. On some vocals (especially on high female vocals), this contribute to nice, and airy vocals, but on heavier vocals (like baritone males, contralto females), this take away those nice chest sound. The King's Singers baritone part on 'Scarborough Fair' sounded leaner, and brighter than on my DR150, which has dark, meaty sound on it. On the other side, HP30 render light vocals of Celtic Woman sopranos better: airier, and nimbler.

Bass is leaner than both my DR150 and SJ33. HP30 sub-bass is pretty rolled off, while the mid-bass is quite polite. Punchy, but nothing like my DR150. My SJ33 has much more sub-bass than HP30. Bass on HP30 is tad looser too. Comparatively, mid-bass HP30 is tad leaner than SJ33. The detail is quite good, almost as good as SJ33 but nothing compared to DR150 (which understandable, seeing the price bracket). HP30 mid-bass is quite good actually, it can hold it's own compared to SJ33 which marketed as portable DJ headphone.

HP30 has a forward presentation, which combined with the airy sound, make vocals quite nice. Guitars sounded crisp, although not as meaty or thick as DR150 but, crispier. The bite is not on SJ33 level though, since SJ33 has this peaky treble which help give more bite to guitars. Strings also had more bite and air to it, compared to DR150, just as flute had. Listening to same song with flute and strings on it, it's like DR150 took dark and mournful side while HP30 take on keening and airy side. SJ33 take cut-your-skin approach.

For musical genre, I think HP30 very good at acoustic with not too many instrument on it. The separation is pretty good, little bit better than my SJ33 because HP30 has more depth to it sound. The depth isn't that detail however, compared to my DR150, but for the price I think it's pretty good. As I said before, SJ33 place all instrument on same distance. HP30 had more 3D sound than my SJ33, but positioning is quite vague, again compared to my DR150 which priced much higher, but much better than my SJ33 which place almost everything left and right.

Heavy metal, speed metal, trash, and those fast paced metals are no go. HP30 relaxed sound just didn't render those speed correctly. But for slow rock, acoustic rock, or folk-rock I think HP30 manage alright.
Fast club song, vocals club song also no go. The sub-bass just isn't enough. Amr Diab 'Maak Bartaah' from his last album 'Banadeek Taala' sounded so lean, the bass just isn't satisfying. At all. For this kind of musics (club, dance and metals), I think my SJ33 is much better choice. Faster pace, satisfying bass (and sub-bass), forward vocals, and more treble to convey the energy.

Classical piece is alright, if you don't mind how HP30 presented all the instruments forwarder than the usual. If you think DR150 turn classical piece into rock concert, HP30 will turn classical piece into LIVE rock concert. It's too forward for instrumental classical piece I think. For this price range, I still think Superlux HD668B as the best headphone for instrumental classical musics.

HP30 is quite forgiving for badly recorded musics and or low quality musics, just like my SJ33. It's quite musical, listening to HP30 you won't focus on individual sound, but to the music itself. Not like HD668B which dissect music so every flaw apparent.


The Verdict.
dbE Acoustics first full-sized headphone HP30 is a nice headphone. The packaging and build looks very expensive. Open design allowing open and airy sound, forward vocals, punchy bass (although rather lean on sub-bass), and moderate to slow pace make it great headphone for pop, jazz, slow musics, vocals, and acoustics. But if you want headphone for fast paced music, or deep, meaty, satisfying bass, you better look else where.

Recommended, if your music taste is right.


PS: it's priced about IDR400.000,00 if I'm not wrong. I use a FiiO E10 DAC on my review.
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Thank you for dbE Acoustics for supplying the loaner unit. It's very nice experience!!!

» Old Photos «

Review: Goldring DR150 FullSized Headphone

It's been several weeks since I got my Goldring DR150 from Jaben. Now it's time to write a review about it. Actually, you can found my first impression on a fully burned DR150 on Jaben here, but I don't fell right if not wrote a full review of it.

The Package.
Goldring DR150 come in cardboard box with transparent window so you could see the headphone itself. The chosen colors, the letters, and the design are very attractive. It reflect the above USD100 price tag of it. Inside are the headphone it self, 3m detachable silver plated 99.999% oxygen free copper cable (or so it said on the package), golden plated 3.5mm to 6.3mm plug adapter, and Jaben pins. Ops, the Jaben pin isn't included by default. Sorry, my bad.

The Build.
The headphone made from plastic with metal mesh on the back. The pad is from velour, and so do the pad on the headband. It's much heavier than my AudioTechnica SJ33, but still lighter than Shure SRH440 (again, read my previous impression). The plastic is okay, though Shure SRH440 got better build: sturdier, nicer to touch, but heavier. Maybe it's because DR150 is for more home use, while SRH440 is for studio use, so it had to able to stand some rough handling. However, I think DR150 build is good enough for someone careless like me.

I could see some ripple on headband plastics, so the build is not as  good as Shure, which really good. The finishing touch too, could be better. There are some edge which could be smoother, etc.
The headphone look is okay. It look little ugly at first sight, but it has grown on me and now I think it look quite nice. From color perspective, I liked DR100 gray-black color combination much more than DR150 gray-silver. The silver accent on the rim of the metal mesh look nicer on gray-black combination than on gray-silver.

The detachable cable is nice. I don't know if the 99.999% oxygen free claim is true, so no comment on it. It has this rubbery finish which very pleasant to touch. It snap into 3.5mm jack on left side of the headphone quite strongly, so you don't have to fear it detached easily when pulled accidentally. Those detachable cable also mean it's easy to find cable replacement if the bundled one break, or mod the sound by using different cable materials (if you believe or could hear the differences).

The headphone itself is quite comfortable, the grip is rather hard on the first, but it lessened over the time. The headband is adjustable with several clicks which lock the headband on place. The velour pads is definitely comfortable and felt nice to touch.

The Sound.
This is my first open backed headphone so I quite surprised by how the sound-stage and positioning (layering) rendered. It's much better than my SJ33, which closed backed. Of course, price-wise, SJ33 is cheaper, but DR150 is simply at another level compared to it. DR150 sound-stage is wide, with very good separation and layer rendering. Listening to SJ33 after DR150, I could easily hear how SJ33 sound-stage is wide but flat, all instrument just placed at same level, while DR150 render the position beautifully. The dept is just very good on DR150.

The high is smooth, with enough sparkle to make it shine, but not bright. Definitely not bright. For comparison, listening to DR150 after SRH440, DR150 sounded like there is a veil over the sound. Cymbal is pretty crisp, although not as bright as SRH440, or MS1i. None of those sibilance, though, so it's easy on ears. Listening to DR150 after SRH440, it felt like going into a large and warm sauna room after a closed room with air cooler. MS1i, on the other side, felt like an open room with lot of air flow.
DR150 smooth and natural treble make my SJ33 sounded steely, cold and with lot of peak. DR150 also had some air to the sound which made my SJ33 sounded boxed. Not as airy as Alessandro MS1i, but enough to give breath on vocals and instruments. It's really refreshing after listening to SJ33

The mid is smooth and warm, with neutral presentation. It's neither forward nor laid back, actually it's quite versatile, when the recording is forward, the DR150 will sounded forward and vice versa. The vocal is luscious, and very, very nice. SJ33 sounded dry compared to DR150.
Male and female vocals rendered equally good. It's doesn't matter what kind vocals I threw at it, DR150 render them both good, Scotty McCreery low voice is as good as Andrea Bochelli tenor. High female vocal, like Sarah Brightman soprano is rendered beautifully, just like Amy Winehouse sultry contralto voice is.

The bass is thick, meaty and warm. It has bigger bass, both in quantity and quality than my SJ33. The bass is so detailed, SJ33 sounded like one big blob of bass. The mid bass is pretty good, detailed and punchy. None of the bass bleed to mid. I think DR150 bass is mostly on mid-bass though, while SJ33 had lot of sub bass. Tone down 200-100Hz (via equalizer), and the bass will loose lot of it punch.

Detail and micro-detail, Goldring DR150 absolutely murder my AudioTechnica SJ33. It's really no contest. I just can ear all those tiny sound, like when a player put down something or turn a page, or how the guitar string twanged against the wood board, how the singer open her mouth before singing, how the piano keys make those little click sound when they pressed... It's mesmerizing.
Goldring DR150 is pretty unforgiving, I can easily hear how bad is Glee record or how 128kbps mp3's sounded much like Lady GaGa second album (yup, it's that bad). Garbage in garbage out. On the other side, SJ33 is much more FUN, especially with mainstream music and or bad recorded music like GaGa, Madonna, Glee, Katy Perry etc.

Isolation is none at all, since it's open headphone. DR150 also leak sound from the grill/mesh on the back, although not very bad. The metal mesh on the back is actually lined with a piece of cloth inside, so you can't see the driver from outside like you do Sennheiser HD600/HD650 or Shure new SRH1440. I'm wondering how would DR150 sounded if I remove the cloth covering the mesh, will I get more airy sound? Will the sound-stage and layering increase? Hm... intriguing. I had to try that sometime in the future.

A bit nitpick, sometimes I felt the sound is not as coherent than, say MS1i or SRH440. It's like there is something which resonating along with the driver causing the sound, like, breaking or diffused or something. Is this the plastic color described by Heafonia review of DR150?! I don't know. It's not that bad, though, since this only apparent when I listening very closely. When I just sit and enjoying the music, I didn't notice it. My SJ33 also exhibit the same problem, at much bigger scale.

The Verdict.
For the price (about USD100-130) I think Godlring DR150 is a very good headphone. The sound definitely is, although I wish the build quality could bit better. It has this dark and luscious sound, meaty bass with punch and some nice treble sparkle on top. If the sound is a food, I say Goldring DR150 is a cake made from dark chocolate, filled with crunchy milk chocolates goodness and sprinkle of vanilla on top. Warm from the oven. Hmmm yummy!
Recommended.

Review: I Am Not Serial Killer (John Cleaver Series by Dan Wells)

This is a book which I whole heartily recommend you to read. This book will give you a side trip to a whole new point of view and different protagonist, there is none of those self sacrifice act, love, simple jealous, or wimpy-cry-baby. This book is all about darker side of human nature: when human kill another human.

So, we have John Wayne Cleaver, your average lone-boy in his teens, which had all those traits: unpopular, subject to bully, loner, have different (sometimes weird) hobby, and socially deficit. What other peoples didn’t know except his mother, his aunt and his therapist, is that John is a diagnosed anti-social and borderline on sociopath.

As I told you before, you won’t find those lovey-dopey relationship here (except if you find how John treat corpse and his fantasy of cutting several other people as lovey-dopey, which if you did I strongly suggest you to visit a therapist). This book will get you into the mind of a sociopath: ruthless, cold, and calculating.

The story is paced rather slowly, not overly slow, but for a story with only one storyline is not very fast. But it has consistent pacing. Even when John finally facing danger and enemy, he still remains cold and calculating, giving me this cold feeling. Reading this novel really like reading a book of biology or chemistry (no, I liked neither Physics nor Mathematics, go figure): everything is dissected plain, systematic, and coldly. But, surprise, the ending has this beautiful moment which feels very strong after the coldness of the story.

The characterization is very good; most of characters are development enough to make them felt real. You can imagine hundred of other people who just like John moms, sister, and other characters. It really felt real. And the simplicity of how the John mind presented is utterly brilliant. I find myself chuckling to dark humor and sarcasm John produce, and I think you will find yourself too.
The detail is very good, and the embalming explanation is very interesting. You can imagine clearly the world John lived.

To be frank, I would happier if the main antagonist on this story is a human (spoiler alert! Highlight if you want to spoil the story! No, the enemy is supra-natural, a demon to be fact). Serial killer versus an almost-serial killer story would be very cool, but then it wouldn’t fit into fantasy novels again if this book do that.
I think, this book is more about how John struggling every day with his dark side, how to be remain normal (or as normal as he could be), and not to be the serial killer his dark side wants to be. It’s a rather sweet and endearing story.

Another irk this novels had is that lot of things on this novel hit right on the spot to me. I don’t know how about other people, but sometime it just very similar how I think, how I feel, especially when I got one of those cold episode, or one of those rage episode. I think these book will hit lots of people spot how it presented the dark nature of human mind. And those loneliness felt (but not realized) by John will touch most of us (realized or not) also felt.

This book is really refreshing. Emotionally-void protagonists are really rare, and the chance to look into the mind of one is really interesting. The plot is rather simple, I could guest the ending most of the time, but the twist on the story make it really interesting, even if this book had those kind ending-come-with-no-sign-nor-preparation kind of plot development (like Earthsea trilogy). And, no, this is not those pure serial killer book, it’s a young-adult novel, for heaven’s sake. Although some site said so, I don't think this series is a trilogy. The ending on third book is too open to be a final book. And, yes, I'm going to write my review for the other two book.

I whole heartily recommend this book for you.
Recommended!